Showing posts with label History. Show all posts
Showing posts with label History. Show all posts

Sunday, January 8, 2012

Pre-sangam Tamil history

     Though Sangam literatures throw some light on how the people lived during sangam age, there are not enough proof other than literatures to understand their way of life. This is mainly no excavations were done in Tamilnadu,like Harappa or Mohenjodaro . There are some links between tamil civilization and other well known civilizations.But those are not enough. Until there is a major excavation in Tamilnadu, it would be hard to prove that there was a tamil civilization before sangam age.
     I actually agree with the theory that people moved from northern India to southern India. The move might have taken a long long time and in this case, Did the migrated people bring the whatever culture they had it in other civilization? or Did they form a new civilization?. This migration could not have happened over night. So Defnitely people brought few customs along with them and formed a new civilization. So when that would have happened? It should be definitely before sangam age. The mighty king Asoka did not conquer Tamil land during his time(300 BCE) and maintained friendly relationships with the tamil kings. That means that some form of civilization should have been in Tamil land at that time and it should have taken at least 1000 years to form a governed society. So during 1000 BCE at least, tamil land should have a civilized society.

Indus Valley period (3500 BCE)
  • In May 1999, 'plant-like' and 'trident-shaped' markings have been found on fragments of pottery dating back 5500 years at Harappa (Pakistan). This is the earliest script identified till now and these scripts are older than the scripts found at Egypt and Mesopotamian civilizations.
  • A well-preserved bull-fighting seal found at Mohenjodaro in the 1930s. It’s 2000 years old seal. Is it the proof that Dravidian culture migrated from Indus valley? Tamilnadu is the only place in India where bull-fighting is still practiced.
Pre-Sangam age:
  • The arrow-mark graffiti on the megalithic pottery found at Sembiyankandiyur and Melaperumpallam villages, Nagapattinam district. As they are in the Indus scripts, arrow-mark graffiti are always incised twice and together. Indus script belongs to the period 2600 BCE to 1900 BCE.
  • A large megalithic terracotta plate found at Sulur near Coimbatore, with symbols closely resembling an inscription on a tablet found at Harappa.
  • Excavations at Mayiladuthurai have been claimed to contain Indus symbols being used as late as 1100 BCE.
  • The urn with the rudimentary Tamil-Brahmi script, and a human skeleton and miniature pots at Adichanallur in Tamil Nadu, dated back to 500 BCE.
  • Three foot Hero stones of the Sangam era found at Puliyamkombai in Andipatti taluk of Theni District. These are the oldest among the hero stones in India so far. These stones are 2300 years old, roughly belong to 300 BCE.
Sangam Age(300BCE – 300 CE)
  • Jambai inscription proves that the “Satyaputo” mentioned by Asoka was none other than the Adhiyaman Neduman Anji dynasty, which ruled from Tagadur, modern Dharmapuri.
  • Mankulam inscription of Pandyan king Nedunchezhiyan
  • Chera King Irumporai inscriptions at Pugalur near Karur   
  • The Pandyan coin of Peruvazhuthi or the silver portrait coins of Cheras belong to Sangam age.
  • Numerous gold, silver and bronze rings of merchants and noblemen from the prosperous trading town of Karur dated back to Sangam period.
  • A broken storage jar with inscriptions in Tamil Brahmi script dated to first century CE, excavated at Quseir-al-Qadim, an ancient port with a Roman settlement on the Red Sea coast of Egypt. Earlier 30 years ago, two pottery inscriptions in Tamil Brahmi belonging to the first century CE found at the same place. Another Tamil Brahmi pottery inscription of the same period was found in 1995 at Berenike, also a Roman settlement, on the Red Sea coast of Egypt. These discoveries provided material evidence to corroborate the literary accounts by classical Western authors and the Tamil Sangam poets about the flourishing trade between the Tamil country and Rome (via the Red Sea ports) in the early centuries CE.
  • A unique Tamil-Brahmi Inscription on pottery of the second century CE has recently been excavated in Thailand. And also a touchstone engraved in Tamil in the Tamil-Brahmi script of about the third or fourth century CE found in Thailand. This indicates that the overseas trade between India to both the West and the East involved people from the Tamil country.

Wednesday, August 17, 2011

Thanjavur Big Temple - A timeless beauty

These are the photos taken long time back and present the beauty of the big temple even high resolution camera can not. I am not aware of who took the photos and when these photos were taken but I am damn sure these photos would blow your mind.
Thanjavur Big Temple

Thanjavur Big Temple


Thanjavur Big Temple

Thanjavur Big Temple

Thanjavur Big Temple

Thanjavur Big Temple



Wednesday, August 10, 2011

Tanjore paintings - Chola's or Nayak's?

              


             Tanjore Painting is a peculiar, ancient, miniature type of painting named after the place Thanjavur (called Tanjore in English) in Tamil Nadu, a Southern state of INDIA. The art form dates back to about 1600 CE, a period of Nayaks of Thanjavur. This art can be linked to Chola periods. Chola murals were created by applying lime plaster first and then drawing over the plaster. But in Tanjore painting of Nayak period, chalk powder or limestone powder was applied and then drawing was made. Natural colors from plants and fruits were used in Chola and Nayak periods. So, the only difference between Chola murals and Tanjore paintings of Nayak periods is Tanjore painting was decorated with stones and gold foils.Of course, Tanjore paintings can not stand next to Chola murals size. Historians can recollect that Nayak paintings were hiding Chola murals when the murals were first discovered. Is Nayaks of Thanjavur getting the glory for Chola art?I leave this question to people who are well-versed in this subject. Lets proceed further to know about Thanjavur paintings.
             Typical Thanjavur painting would consist of one main figure, a deity, with a well-rounded body and almond shaped eyes. The painting would be made by the gilded and gem-set technique. Gem-set technique is a technique where gold foils and sparkling stones are used to highlight certain aspects of the painting like ornaments dresses etc. The painting would be bright and colorful and breathtakingly beautiful. 
 Paintings were done on materials like wood, glass, mica, and exotic media such as ivory, murals and manuscripts.The early paintings were embedded with real Diamonds, Rubies and other precious stones. 
Over a period of time changes have occurred in the stylization - for example, the figures are no longer round. Presiding deities of various famous temples are also being depicted in the paintings. Real stones are replaced by semi-precious and artificial stones. 
Religious paintings with a royal heritage” is the best definition for Thanjavur paintings. Tanjore painting ranks among the greatest traditional art forms for which India is noted worldwide. 

 

Sunday, August 7, 2011

Chola murals - The Brihadisvara temple paintings

The Chola paintings in the Brihadisvara temple rank next only to the Buddhist paintings at Ajanta in Maharashtra. While the murals at Ajanta come under the tempera variety, those at the Big Temple are called frescoes. The artists at Ajanta applied a coat of plaster on the wall of the caves and did the paintings after the plaster dried up. The paintings survive to this day because the painting material holds together the pigment in it and the plaster. But the Chola-age artists used a more difficult technique at the Brihadisvara temple. They applied lime plaster on the wall and painted the murals on the plaster while it was still wet. This demanded that they should do the sketches and complete the painting before the lime plaster dried up. This might not be easy given the humidity conditions in Tamil Nadu. In this technique, the paintings formed part and parcel of the thin lime plaster. Both the plaster and the painting integrated together. The frescoes are, therefore, more durable but their execution would have been very difficult.

The murals, each 15 feet tall and 10 feet wide (4.5 meters x 3 meters), are about 1,000 years old. They are located in the narrow and dark passage around the temple's sanctum sanctorum. The great Chola king Raja Raja I built the Brihadisvara temple between CE 1000 and CE 1008 and the paintings were done between CE1008 and CE1012.

Most visitors now have no access to these paintings because of their location. But they can now visit the exact photographic reproductions at Interpretation centre on the temple premises.

The credit for photographing the murals in exact detail goes to the Archeological Survey of India team comprising Dr. T. Satyamurthy, P.S. Sriraman and N. Thyagarajan.

  • Single frame of mural depicting Siva as Nataraja.
  • The above Nataraja picture in the montage, accurate reproduction of Mural.
  • Rishi and Rishikumara
  • Village elders reading a document
  • Royal ladies
  • Vishnu
  • A demon and his consort
  • Siva as Tirupurantaka
  • The Banyan Tree - There is a sudden change in the mood among the animals and birds as a cobra enters the scene.
  • A Royal lady

Courtesy: Archeological Survey of India

Saturday, July 30, 2011

Tamil historical novels - Full list

Here is the list of tamil historical novels. This is a dynamic list and will keep updating this list If I come to know about any new novels. I will try to provide the publishers of these novels later.
I was inspired by Kalki's ponniyin selvan, to read more tamil historical novels and to know more about our ancestors and their life styles. I am hoping that someone will get inspired by reading some of these novels.

A. Dayanandam
Gunavathi Kottam
Kaviri Chozhan
Madhuraiyai Katha Maravan
Malarvizhi
Mummudi Chozhan
Valvil Oori
Aikann
Adhiyaman Kadhali
Karikalan Kanavu
Neiythalil Pootha Kurinchi
Nellik Kani
Oormilai
Akilan
Kayal Vizhi
Paavai Vilakku
Vengayin Mainthan
Vetri Thirunagar
Amutha Ganesan
Thanjai Ilavarasi
Anusha Venkatesh
Kaviri Mainthan
Thillaiyil Oru Kollaikkaran
Aringhar Anna
Irumbaram
Irumbu Mull Veli
Kalinga Raani
Aru.Ramanathan
Raja Raja Cholan
Veerapandiyan Manaivi
Arulnambi
Mannargal Vazhvil Suvaiyana Kadhaigal
Arun
Neelamalai Ilavarasi
Balakrishnan
Danayakkan Kottai
Senjikkottai
Balakumaaran
Udayaar - History Of Raja Raja Chozhan
Kadigai
Balasubramaniyam
Pon Andhi
Chandra Vadhana
Baskaradhasan
Kalinga Rayan Kadhai
Maa Veeran Marutha Nayagam
Theeran Chinnamalai

Bharathavan
Kanji Paavai        
Neela Keysi
Gokul Sheshadtri
Cherar Kottai
Paisasam
Rajakesari
Gouthama Neelambaran
Marudhanayagam
Vetri Magudam
Hasan
Sindhu Nathik Karaiyinile
Idaipadi Amuthan
Ezhukarai Soorya Kangeyan
Ilangavin
Chozha Madhevi
Ilasai Manian
Vamsamani Dheepigai
Ilavarasan
Greakka Nayagi
Indira Subramaniyam
Madhurai Arasi
Pandiya Nayagi
Sethu Nattu Vengai
Vikrama Vikrama
Paaraseega Perazhagi
Rasa Simman
Veera Thirumagan
Yadhava Raani
Indra Soundarrajan
Ainthu Vazhi Moondru Vaasal
Jagasirpi
Arulmozhi Nangai
Madhuranthagi
Magarayazh Mangai
Marampaavai
Nandhivarman Kathali
Nayagi Narchonai
Pathinik Kottam
Santhana Thilagam
Thiruchitrambalam
Jayanthi Rajan
Chola Nagam
Kanal Paravai
Jegasirpiyan
Alavayazhagan
Paththini Kottam
Thiruchitrtrambalam
Jegatha
Viduthalai Vengai
K A Rajendran
Malaiyaman Thirumudikari
K M Munshi
Jaya Somnath
Ka. Na. Subramaniyan
Thomas Vandhaar
Kabilan
Madhuranthagi
Maravan Magal
Naga Nandhini
Nandhik Kalambagam
Nithilavalli
Pallavar Komagan
Pandiyan Thirumeni
Peeli Valai
Perunthurai Nayagan
Porchellvi
Silambu Selvi
Villavan Gothai
Kalaimani
Ponnivanathu Poonguyil
Kalainghar
Payum Puli Pandara Vanniyan
Ponnar Sankar
Romapuri Pandiyan
Thenpandi Singam
Kalki
Parthiban Kanavu
Ponniyin Selvan
Sivagamiyin Sabatham
Kalki Rajendran
Ravikula Thilagan
Kamalapriya
Kadal Maindhan
Kongu Thilagam
Madhura Valli
Pokkisha Veettai
Kandeeban
Raja Nandhi
Kannadasan
Ayiram Theevu Angayarkannai
Kadal Konda Thennadu
Pari Malaikkodi
Seraman Kadhali
Umaiyan Kottai
Kannan Krishnan
Kalapirarai Vendra Kavalan
Kannan Makesh
Gantharva
Neelamathiyin Kadhal
Kaveri Nadan
Sengani


Kaviazhagan
Kopperunthevi
Maaveeran Pulithevan
Ko Kalaivendhan
Selvamani
Kousigan
Adimaiyin Thiyagam
Juleha
Paavai Mandram
Pamini Paavai
Kovi Manisegaran
Kanji Kathiravan
Pon Veintha Perumal
Raja Garjanai
Agni Kobam
Ajatha Sathru
Chithrangi
Chozha Dheepam
Ilavarasi Mohanangi
Historical Stories
Gangai Nachiyar
Kutrala Kurunji
Kalaiyar Kovil Ratham
Kandharva Thathai
Kanthaari
Kollip Pavai
Kudavayil Kottam
Kumari /Peimagal Ilaveyini /Hyder Ali
Malaya Marutham
Manbumigu Muthalamaichar
Mayiliragu
Midhakkum Thimingilangal
Mudisootu Vizha
Naga Nandhini
Nayakka Maadhevikal
Penmaniyeam
Porkkala Poompavai
Raja Mohini
Raja Tharangani
Samrat Ashokan
Sembiyan Selvi
Senji Selvan
Sera Sooriyan
Sudhandhira Theevil Vellai Naaraigal
Thogai Mayil
Thoothu Nee Sollivaarai
Varaga Nathikkaraiyil
Vengai Vanam
Kurumbur Kuppusami
Pandiya Kumaran

Lakshmi Rajarathinam
Pallavap Pavai
Lakshminarayanan
Theeran Thippusulthan
Vijaya Nandhini
Lakshmiramanan
Anaiya Vilakku
Loorthu Raj
Idukkan Kalaindha Natpu
M. Annamalai
Kuruthi Chooru
M.V. Somu
Nandhavanam
Ravi Chandhirika
Madhavan
Thiruma Valavan
Madhura
Manjal Pura
Mannukku Oru Mutham
Panjalankurichi Veera Vaal
Raja Kanni
Magarishi
Sanakiya Sambrajiyam
Mahizhnan
Vanjiyin Vanjam
Maraimalai Adigal
Naga Nattarasi Kumutha Valli
Mayilvahanan
Adallarasi
Sembiyan Selvan
Moovendhar Muthu
Natpin Vilaiyattu
Mu Metha
Maguda Nila
Solanila
Mukilan
Kaveri Naadan
Raja Nandhi
Salukkiyan Sabatham
Vaigaiyin Maindhan
Vijaya Tharangini
N Parthasarathi
Kabadapuram
Manipallavam
Nithilavalli
Pandimaa Devi
Rani Mangammal
Vanjima Nagaram
Vetri Muzhakkam
Nachiappan
Sanakiyanai Vendraval

Nanjil Mannan
Muthazhagi
Narasimma
Kalachakkram
Ranga Ratinam
Navan
Krishna Vamsam
Nazeer
Aval Anniyamanaval Allal
Neelambaran
Chithira Punnagai
Chozha Vengai
Ezhavendhan Sangili
Kalinga Mogini
Mandhira Utham
Mannan Madathu Nilavu
Masidoniya Maaveeran
Mohini Kottai / / 
Pallava Mohini
Kalinga Mohini
Nila Mutram
Pallavan Thantha Ariyanai
Pandiayan Ula
Raja Kanganam
Raja Peetam
Raja Pokkisham
Sanakiyarin Kadhal
Moongil Palam
Mannan Madathu Nilavu
Vasavathathaiyin Kadhal
Vetri Thilagam
Seran Thandha Parisu
Sethubandhanam
Simmak Kottai
Udaya Boomi
Vengai Vijayam
Vetri Magudam
Vijaya Nandhini
Pa. Krishnan
Pulinagakkondrai
Pagainadan
Kumarathevan
Kundhavaiyin Kanavau
Snegavalli
Veeramaadhevi
Pannan
Perunthevi
Pathaimainthan
Patti Vikramathithan Kadhaigal
Pon Padmanabhan
Maveeran Shersha

Pon Paramaguru
Magadha Magudam
Poovannan
Baranar Keeta Parisu
Kandarathithan Kadhal
Raja Natpu
Prapanjan
Inbakkeni
Kanneeral Kaappom
Manudam Vellum
Vaanam Vasappadum
R. Balasubramanian
Pandiya Nayagan
Ra Ki Rangarajan
Naan, Krishnadevaraayan
Vaalin Mutham
Ra Su Nallaperumal
Marukkozhundhu Mangai
Raja Balachandar
Nandhik Kodi
Raja Rathinam
Raja Nayagi
Rajaguru
Chola Rani
Mamannan Ula
Ramanathan
Veerapandiyan Manaivi
Vetrivel Veerathevan
Rv
Adhithan Kadhal
Sengamalavalli
S. Kulasekaran
Chozhar Kula Ponmalargal
S.A. Vetrichelvan
Kural Kanda Cholan
S.L.S
Buvana Mohini
Sandilyan
Alai Arasi
Avani Sundari
Chandarmathi
Chithranjani
Ilaya Rani
Indira Kumari
Jala Mohini
Kadal Vendhan
Jaladeepam
Jeeva Bhoomi
Kadal Pura
Kadal Rani
Kanni Maadam
Madhahaviyin Manam
Malai Arasi
Malai Vasal
Mangala Devi
Manjal Aaru
Manmalar
Mohana Chilai
Mohini Vanam
Mohini Vanam
Malai Vasal
Mannan Magal
Mogana Silai
Moongil Kottai
Naga Deepam
Naga Devi
Neel Vizhi
Neela Mangai
Neelavalli
Neela Rathi
Pallava Peedam
Pandiyan Bhavani
Pallava Thilakam
Raaniyin Kanavu
Raja Yogam
Rajyasree
Rana Hammer
Raja Muththirai
Raja Perigai
Raja Thilakam
Seran Chelvi
Udhayabanu
Vasantha Kalam
Vilai Raani
Vijayamaadevi
Yavana Rani
Sankara Narayanan R
Moondram Nandhivarman
Raja Narthagi
Raja Neethi
Raja Vamsam
Santhi Meenakshi
Indira Theevu
Saroja Shanmugam
Vikraman Kadhali
Savariraj
Paraseega Paingili
Seethala Pakirisamy
Maha Dhravidam
Sidharthan
Sevvanam
Sindhubath
Chozha Vengaigal

Sri Venugopalan
Kallazhagar Kathali
Madura Vijayam
Mokavalli Thoothu
Thiruvarangan Ula
Sreekumar
Oru Amara Kathai
Sujaatha
Kaandhaloor Vasanthakumaran Kathai
Raththam Ore Niram
T.P. Perumal
Sirpiyin Kanavu
Thamarai Manalan
Andhapuram
Idhya Valli
Indira Vizha
Then Malai Kanni
Thanjai Vanan
Kalam Kanda Kavinghan
Karikarperuvalathan
Thiruvasagan
Veeramaadhevi
Thivahar
Thirumalaith Thirudan
Vamsadhara
Vichithra Chithan
Udhayanan
Aapthiran
Chozha Kulanthagan
Mayil Kottai
Mayil Nira Mangai
Mouriya Puyal
Pandiya Murasu
Samuthira Gosham
Singala Puyal
Velvithoon
V Rajasekaran
Ilaya Vendhan
V S Kantekar
Yayathi
V. Ashokkumar
Amoga Varshan
V.Divakar
Thirumalai Thirudan
Vamsadhara
V.Lakshmanan
Kanni Paavai
Neelaveni
Vadivelu
Sembiyar Thilagam


Venugopalan
Kallazhagar Kadhali
Kundalakesi
Kuvai Nadhi Theeram
Manmadha Pandian
Mohavalli Thoothu
Mohini Thirukkolam
Swarnamugi
Thiruvarangan Ula
Vijai
Aranmanai Ragasiyam
Vikraman
Chithravalli
Thiyaga Vallaban
Chola Magudam
Alavai Arasi
Yazh Nangai
Vanjinagar
Vanji Mangalathevan Magal
Abimana Valli
Chozha Ilavarasan Kanavu
Gangapuri Kavalan
Kadal Mallai Kadhali
Kanji Sundari
Kannikkottai Ilavarasi
Klothungan Kanavu
Kondrai Malar Kumari
Kovur Koonan
Kulothungan Sabatham
Madhurai Magudam
Mangalathevan Magal
Manikka Veenai
Maravarman Kadhali
Nachiyar Magal
Nanthipuraththu Nayagi
Pandiya Magudam
Pakaivanin Kadhali
Oru Vaal Oru Magudam
Iru Vizhigal
Parandhagan Magal
Parivathini
Periya Piratti
Raja Rajan Sabatham
Rajathithan Sabatham
Rathina Haram
Sozha Ilavarasan Kanavu
Therkku Vasal Mohini
Udhaya Chandran
Vadhapi Vijayam
Vallathu Ilavarasi
Vandhiyathevan Vaal
Vanjinagar Vanji
Viramuthu
Vilodu Vaa Nilavey
Vishnuvarthan
Venkatanatha Vijayam
Viswak Senan
Indhira Dhanusu
Maguda Vairam
Pandiyan Magal
Yowan Devasakayam Pillai
Upadeiyar Savarirayan Pillai